Lynne is an Accountant & Musician & Singer
Lynne Titley, Associate Director of Finance at Space & Time Media, talks about her passion for playing music, specifically jamming. She shares why she prefers jamming to traditional performing, how it applies to her career, and much more!
• Getting into music
• Why she prefers jamming over traditional performing
• Skills from jamming that she applies to her career
• Discussing jamming and other hobbies at work
• Performance reviews that include taking time for your “And”
• Why the size of an organization plays a role in empowering their employees
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Welcome to Episode 513 of What’s Your “And”? This is John Garrett. And each Wednesday, I interview a professional who, just like me, is known for a hobby, or a passion, or an interest outside of work. And to put it in another way, it’s encouraging people to find their “and”, those things above and beyond your technical skills, the things that actually differentiate you when you’re at work.
And if you like what the show is about, be sure to check out the award-winning book on Amazon, Indigo, Barnes & Noble, Bookshop, a few other websites. All the links are at whatsyourand.com. The book goes more in-depth into the research behind why these outside of work passions are so crucial to your corporate culture. And I can’t say how much it means that everyone’s reading it, and listening to it on Audible, and writing such great reviews on Amazon and, more importantly, changing the cultures where they work because of it. And please don’t forget to hit subscribe to the podcast so you don’t miss any of the future episodes. I love sharing such interesting stories each and every week.
And this week is no different with my guest, Lynne Titley. She’s the associate director of finance at Space & Time Media in Bournemouth, UK. And now, she’s with me here today. Lynne, thanks so much for taking time to be with me on What’s Your “And”?
Lynne: Thank you so much. I love this podcast. Really pleased to be here.
John: Oh, thank you. This is gonna be so much fun ’cause I’m a musician as well. I mean, we’re gonna be so close to jamming by the end of this.
Lynne: I feel like you’re gonna get it completely.
John: Right? Exactly. But before I get going in that stuff, I have 17 rapid fire questions. Get to know Lynne out of the gate. So here we go. I’ll start you with an easy one, I think. Favorite color.
Lynne: Pink now. Yeah, it used to be blue. Now, pink.
John: Okay. Okay. All right. How about a least favorite color?
Lynne: Yeah. Orange.
John: You know what? That is by far the most least favorite color of everyone.
Lynne: Weird. Isn’t it?
John: I should just stop asking the question.
Lynne: You know, I think it’s just been done. It’s just been overdone. There’s too much orange for me.
John: Right. Any orange at all is too much.
John: There you go. How about a favorite animal? Any animal at all.
Lynne: Oh, I’ve gotta go cats.
Lynne: Yeah. We’ve got a cat. She would crucify me if I said anything else.
John: Right. Just in case she listens.
Lynne: Yeah, yeah, yeah.
John: You know, that works. How about puzzles, Sudoku, crossword or jigsaw?
Lynne: Crossword. Because I spend so much time with numbers in the daytime obviously. A crossword is a nice kind of change of pace, change of angle on things. Yeah.
John: That’s an excellent point right there for sure. How about a favorite actor or actress?
Lynne: Hugh Jackman.
John: Yeah. He’s excellent. And he’s so good in everything. Like he’s so diverse.
Lynne: He’s just such a nice bloke. He’s just so humble.
John: Oh, that too. Yeah. Just a good person.
Lynne: He can just play anything and he’s just— Yeah. Yeah. He’s awesome. I hope my husband doesn’t listen to this.
John: We’re talking about as an actor. He’s a nice person.
Lynne: Completely professional interest.
John: Yeah. Absolutely. If you could date any actor, who would it be? Also Hugh Jackman, but that isn’t the question I asked. That was a totally different question. Right? How about a favorite place you’ve been on vacation?
Lynne: Ooh, okay. Well, we just went to Italy a couple of weeks ago. I went to Verona and it was awesome. Really loved it. Really beautiful. Just walk everywhere from where we stayed, and great restaurants and architecture, and it was lovely. Really lovely break. So yeah, I’m gonna say at the moment, Verona. I’d otherwise change my mind, but yeah.
John: That totally works. Yeah. How about more Star Wars or star Trek?
Lynne: Star Wars for the films and Star Trek for the TV.
John: Oh, yeah. I’ll take that. I’ll take that. Absolutely. Absolutely. How about your computer, more of a PC or a Mac?
Lynne: I’ve never really had a chance to use Macs. I had iPhones for a while, but not Mac. So yeah, PC all my life. It just because that’s all I’ve ever had been given to.
John: Yeah. Yeah. Absolutely. And I’m curious. In the UK, toilet paper roll, is it over or under? Are you guys like reverse?
Lynne: It’s incredibly contentious, John. I won’t lie. It’s very contentious. So that sounds like you have the same problem over there.
Lynne: Yeah. I mean, what can I say? For me personally, it’s over without a doubt. Just there is no argument, but I know there are people out there who disagree. I won’t begin to try and understand them.
John: Right. Exactly. I think they’re French. There you go. Oh, this is a fun one. Ice cream. I’m a huge ice cream fan. You get ice cream in a cup or in a cone?
Lynne: I usually get cup because it feels less unhealthy. I feel less guilty if I get it in a cup.
John: Right. Sometimes I try and talk ’em into putting the cone on top of the cup so that I get both. It’s not messy, but I still get the calories and the sugar.
Lynne: Will they do that for you?
John: On occasion, yeah. If you ask and you ask nicely.
Lynne: Good call.
John: Yeah. It’s a super-secret bonus. Now, all the ice cream shops are gonna start e-mailing.
Quit telling people ’cause now we have to sell in cups and cones, and we’re running out of supplies. That will be the next world shortage. Ice cream cones. Now, I’m gonna be angry. Yeah. The gas prices is one thing. Ice cream cones, that’s where I’m drawing the line.
Lynne: Oh, I find some wafers— take some wafers in it or something instead. Like I don’t know. Find a KitKat or something.
John: Right. There you go. Here’s a fun one. Planes, trains, or automobiles?
Lynne: Oh, woah. Trains.
John: Yeah. Especially in Europe. You guys have it down.
Lynne: Yeah. Some European countries, absolutely. I’m not sure us quite so much, but I don’t like flying. I’ll be honest. I’ll do it, but I can’t say I enjoy it. I do get nervous. And yeah, if it’s a long journey, you wanna sit on a train and read or do a little bit extra work or life hack, you know, or sleep, or something.
John: Yeah. Absolutely. Plus, there’s a novelty to it. It’s kinda neat. You know, you don’t do it all the time. You know, a car is every day.
Lynne: Yeah. Absolutely. And when you go on holiday, like if you turn up at the station, as soon as you turn up at the station, you’re on holiday. Right? The journey is included in the holiday, I think, for me.
John: Yeah. No, that’s true. That’s an excellent point. Since you have the finance background, balance sheet or income statement?
Lynne: Balance sheet.
Lynne: Yeah. No contest because net worth, right, is more important than income in any particular period. I think worth is much of the better measure of—
John: What’s the total accumulation? Where are we going here?
Lynne: Absolutely. Yeah.
John: All right. How about summer, winter, spring, or fall?
John: Summer. Okay.
Lynne: Yeah. I struggle. It’s contentious because I do get burnt quite easily, but I like being warm. I don’t like being cold. I like being warm though. I like to sit in the shade. Yeah. On a really hot day, sit in the shade, and just be warm, and just breathe. Yeah.
John: Yeah. Yeah. Oh, we got three more. Do you have a favorite number?
Lynne: No, I couldn’t possibly choose. It would be rude to all the other numbers.
John: Especially the cats that like numbers just in case they’re all so listening.
Lynne: Yeah. Don’t make me choose.
John: Right? Fair enough. I won’t make you choose. When it comes to books, audio version, e-Book, or real book?
Lynne: Audio version.
John: Oh, okay.
Lynne: I think I’m all about the life hacks. I love to walk and listen to podcasts. So I’m getting my exercise and I’m getting my mental kind of development as well. Yeah. You can’t walk along holding the book. So yeah, podcast.
John: Plus, you can listen to it at like one and a half speed or two speed, and your brain still processes it, and it’s so much faster than actually reading. But, well, you’re also doing other things at the same time. That’s awesome.
Lynne: Absolutely. You can do your washing up. You can do your walk. You can do whatever you need to do.
John: Totally. And the last one, the favorite thing you have or the favorite thing you own.
Lynne: I’m gonna go favorite thing I have. Not in the ownership sense. I’m gonna be really cheesy and say it’s my husband because he’s the absolute light of my life. I feel like I have my husband, so I’m gonna call him out.
John: Absolutely. So good. Just in case he didn’t turn it off earlier.
John: Totally redeem yourself.
John: That’s so fantastic and super sweet. So, absolutely, that totally counts. Absolutely. So let’s talk jamming and what instruments do you play when you’re jamming?
Lynne: I sing primarily. I’m most comfortable singing, but I play keyboards as well. So quite often, I’ll play keys and sing. I did, last Christmas, surprise everybody, threw a bit of a curve ball in there by taking my cello to jam, which everybody thought— So we like played Christmas songs, which really lent themselves to cello. So I thought, well, I just say that. But yeah, mostly, it’s singing and playing keyboards.
John: Yeah. But I mean, cello, that’s not something you stumble across every day, you know. I mean, I play piano. So it’s like “Oh, okay. There’s people that play piano.” But cello, it’s like “Wait, what?”
Lynne: Yeah. I’m not quite sure how I neither— I started playing piano when I was about 4 and then I somehow started doing cello lessons when I was about 8 or 9. And so, it obviously wasn’t my choice because children that age don’t choose to do anything really. They just do what they’re told. They get sent. Yeah. I got kinda presented with a cello and told to go to lessons, and that was that.
John: But I mean, obviously now that you’re an adult, you still like it. So, you know, it’s, that’s something that brings you joy. And so, did you grow up in a musical household then?
Lynne: My dad was musical, but only sort of by ear. Very intuitive. He always said he didn’t wanna go to lessons. He’d rather go out and play football or, you know, go and watch trains or something. So yeah, he had a good musical ear and just played by ear. Whether there’s genes involved, I don’t know. I find it fascinating the whole thing about whether you’re musical or not. I can’t even begin. If I had more time, I would spend some time looking into why.
John: Yeah. What’s weird to me is like I can play, I can hear things that if they’re out of tune, I can do all that from the instrument side. But to sing, ooh, I’m terrible. I mean, I’m so bad. Like at church, old ladies turn around. They’re like “God still loves you. You don’t have to sing it out loud.” You know, like just lip-synch it. You know, just Milli Vanilli or whatever you wanna do.
Lynne: Actually, fascinating, isn’t it? I don’t understand how people can do what they can do in terms of playing, but I know loads of people who play beautifully, who are great at jams, but don’t sing or won’t sing. And I don’t understand how that is.
John: I don’t know if I need like decades of lessons or something because it’s not a quick fix, but I can hear that it’s off. And it’s like “Mm, this is not good.” But it’s so cool that you could do both. That’s awesome. You have my superpower. If I could have a superpower, that and dunk a basketball. Like that’s all I wish I could do. Singing and dunk a basketball at the same time. Like “Ahhh” and then just. So do you have like some favorite memories either from jamming or from growing up?
Lynne: Yeah, it’s funny actually. So I came through the education system doing music. In this country, you do your GCSEs at 16 and you’re a levels at 18. And I did music for both of those. And it put quite a lot of pressure on it in a way because you can’t get to a perfect kind of standard no matter how much you throw at music. You do it in an educational setting and somebody’s gonna put a scale on it and put numbers on it and say you’re this good, or that good, or whatever. So I found it a challenge from that point of view. And I was in bands, in covers bands, and tribute bands, and function bands, and stuff when I was in my 20s.
And then I kind of went away from music ’cause I was like— I did that because it felt like the natural thing to do with my spare time because music was my thing that I did. When I was about 30, I just kind of drifted away from it and spent about 10 years not doing any music at all on the cello when in the loft and didn’t do anything. And then I had a bit of change of life circumstances and moved sort of somewhere new or back home, actually back to where I was born. And I saw this advert on Facebook for a jam. And I’d never seen anything like that before.
I’d done karaoke periodically once in a while, like once every couple of years or something. You find yourself “Oh, there’s karaoke. I’ll do that.” I was always happy that I found that fun. And so, I saw this jam advert on Facebook and that’s the first one that I went to. And I was absolutely terrified. I kid you not. I was extremely nervous because sort of complicated history with music I would say in terms of that pressure of coming to an education system and rehearsing. And also, when you were in a band, rehearsing and getting it right. I always used to get nervous in bands ’cause I wanted it to be perfect. It’s never perfect.
John: No, that’s the beauty of it.
Lynne: Well, this is it. We jam, all I do. And I’m kind of jumping into how jam works a little bit, but you just rock up, and you do it, and it works or it doesn’t. And sometimes, it doesn’t, but sometimes it’s amazing. There’s no prep. There’s no practicing. It just is this piece of art or this thing on its own. And also, post-COVID, I completely removed all of the sort of nerves, and issues, and baggage surrounding it. And I’m just grateful for it. And I just appreciate it because it turned us around, I think, in terms of our appreciation of simple things and how fragile life. So now, I was so relieved when jam came back after COVID. The various venues started them up again, and I was able to go back and do some more. And now, yeah, I just try. I focus on just pure enjoyment of it and just enjoying the moment. And when it’s going great, just enjoy it, you know.
John: No. I love that mentality. That’s so good. You know, that whole just being in the moment and enjoying it for what it is, and we’re not able to do that at work all the time because we feel the pressure similar to the pressure of music. It’s gotta be perfect. When you’re in finance, and accounting, and law, and a lot of these professional jobs, you can’t miss or we think we can’t miss. We can. If you’re a heart surgeon, okay, maybe then you can’t miss. But everybody else, I mean, what’s the big deal? But we put that pressure on ourselves.
Lynne: Oh, we do.
John: And it’s cool to see that you had that breakthrough, you know, with the jamming that take some of the pressure off. And do you feel like it’s different now? Do you feel like you’re a different performer, different player?
Lynne: Yeah, absolutely. Very much. It’s revelationary really, if that’s a word, to realize that it doesn’t matter, that it doesn’t add anything. To stress about it, it doesn’t improve anything. It doesn’t make you enjoy it more. It’s just negative. Just put it down. Just forget it. Nobody else cares. Nobody else is nervous. Just enjoy it ’cause life is short. Just go on. You got 3 minutes to do a song. You got however many songs you end up doing. Just enjoy them ’cause life’s short.
John: Yeah. No, I love that so much. And I’m curious, the 10 years when you stepped away from music, what was that like professionally? Did it make a difference when you came back to music in your job or when you didn’t have music as part of your life? Did it enhance things or was it just another thing?
Lynne: I think it’s hard to separate the work from the music, from just getting more mature and getting more life experience, and COVID, and all of the other things that have happened. If I don’t take myself back to when I was about 40 and jam started, I’d been through some sort of life experiences and got a different perspective at that time anyway, a really sort of dramatically different perspective on what was important.
And so, that happened at the same time, sort of moved back home and started going to jams. So I’d already got a bit of that change of perspective. I think that it has given me some really valuable things though and some really valuable tools over the last 5 years. And it changed me in a really positive way. I think that I’ve got a much better appreciation of other people and what they can bring to the table because I can’t jam on my own.
John: Right. That’s true.
Lynne: You can sit and play on your own, but you can’t create that experience on your own of just putting a group of people in a room or in a bar and going “Right, these are the chords, go. What do you make of it?” And then being amazed by what they turn that into. In work, I would say back in my sort of 20s, I was much more of an individual contributor I would say, much more self-reliant in work. I was one of those typical people who would only trust themselves to do the thing. You know, those people who say I’ll do it myself, which is how I want it done or whatever.
John: By the time I explain it to you, I could have just done it 10 times.
Lynne: Absolutely. That cliché. I’m completely that person. So I’m a line manager now. And my perspective now is very much how can I enable my team? How can I get the most outta my team? What do I need to do for them to help them? That’s my job, is to get the collective best out of the team and make sure they’re as happy and enabled as they can be. I do think that jam has given me this appreciation of other people and what they bring that is translated into my working life.
John: I love that so much. Like imagine walking in. And the team, you look at them like a jam like “Okay, you’re the guitars, you’re keys, you’re the singer. Here’s the chords and don’t mess it up. Everybody go do your thing. Let’s jam. Let’s do this.” You know? Like how great would that be at work?
Lynne: I could just imagine doing that to my team. And they’d be like “Oh, my God.”
John: She has lost her mind. And she’s talking to some American guy again. Like what the hell is going on?
Lynne: Do you know what’s wrong actually? Is they probably wouldn’t go “Oh, my God.” They go “Yeah, this is not surprising.”
John: Right. What took you so long, Lynne? We’ve been waiting to jam forever.
John: But just that mindset though, if everyone just looked at it as jamming, no pressure. Just stay within the cord and we’re good. And I mean, what a cool place to work, a cool department even within a company. That would be so much fun just to think of it that way. I mean, I love that mindset shift of, you know, everyone’s bringing their own thing and we’re all in it together. Do you feel like talking about jamming, is that something that you do at work? Do people know about this side of you? I mean, clearly, I’m guessing ’cause you were like “What took ’em so long?”
Lynne: Yeah. They do. Yeah. I’ve been quite open about it. And again, I’ve seen a real change in myself somewhere between my 20s and my 40s. because in earlier in my career, I was very back and white about it. And I was like I’m here to work. I’m being paid to work. I’m not being paid to chat.
John: Right. Right.
Lynne: I dunno. I’m gonna possibly come out on your podcast here a little bit ’cause I don’t know whether I’m possibly a little bit on the spectrum on the autism spectrum.
John: Oh, okay. Sure.
Lynne: You know, neurodiversity is cool. And I think that I have a very kind of black and white perspective on things sometimes.
John: Which makes you really good at finance, you know, like really good.
John: But yeah. But I mean, so many people think that way of there isn’t a charge code to get to know people, or we don’t get paid to socialize, or that isn’t my job. And as a manager, as associate director, it’s not my job to make sure my people are living their best life. It’s just my job to make sure they’re getting their work done. And it’s like, well, it’s probably more. It’s actually more than that.
Lynne: Absolutely. This is where I’ve changed so much. I feel now like that was a very individual perspective on things ’cause I’ve kind of watching— So there’s a that I’ve heard about where if you offer a baby like a sweet now or two sweets in 30 seconds time, they’ll take the sweet now or three sweets in 60 seconds’ time and they’ll still take the sweet now. It’s very short term. And as you mature, the idea is that you evolve and you start looking at the long term. And this gets me thinking, well, actually, probably what I should be doing for the company—
Even if you look at it purely from the company’s benefit perspective, what I should be doing is maximizing my long-term contribution to the business for the duration that I’m there. How do I do that? ‘Cause that might not be just work the next minute because, work, that might be take a breather. And actually, the following minute, I’ll work twice as well because actually I’m a human being. I’m not a machine and I needed a breather right then. So I’m now thinking. My possibly slightly autistic self is thinking maybe there’s kind of a curve where we—
We know that there’s a curve. We know that when we work continuously, we do 10, 11, 12, 13 hours, we’re gonna end up spitting out rubbish because we are over time. So there’s got to be a balance there between you can’t just keep on working yourself into the ground. So where’s that balance and what does that involve? And now, I think, yeah, I’ve certainly got to a place these days where I think actually it’s about people.
Every business success is all about people, and people need to be happy to be productive. If they’re not happy, we know if we have arguments with people or something goes wrong, it can affect our sort of motivation and our performance. And so, let’s try and make people happy. And one of the things that people value is social connection. So let’s socially connect as a team and let’s talk about what our ands are and what our fun is because that’s where we come to life a little bit. So, yeah. Hell, yeah, I talk about my hobby now, and I am incredibly delighted that one of my team has just brought a saxophone and started learning saxophone because we talk about it.
John: There you go.
Lynne: She says she’s always wanted to do it. So, shout out to Gabs for taking the leap and I’m thrilled. I honestly couldn’t be happier and I’m so glad that you mentioned it.
John: Get a couple lessons. You can come down to jam as well.
Lynne: Yeah. Oh, well, it’s on her objectives, dude. It’s on her performance objectives. 6 months’ time, she’s coming to jam.
John: That’s great. Her work performance objectives are to come to jam and play. I love that because it absolutely should. You know, that’s the thing. Like when I work with organizations, it’s like why are the coaching, mentoring conversations not starting with your and? Like what is it that lights you up? Tell me about it. And when’s the last time you did it and when’s the next time you’re gonna go do it? You know, like let’s get this on and then we’ll get to the work stuff later certainly, but that stuff matters. And I love that you have that as a performance objective because it matters. If she’s not playing the saxophone or being encouraged to play the saxophone, she’s not as good at work.
Lynne: Yeah, yeah, no, she’s not gonna be as happy. Honestly, she’s lit up. She’s absolutely lit up with this thing. She would cringe I’m talking about her, but yeah, she’s really excited about it.
John: Right. We’ll have her on soon enough. Don’t worry. It’s all good.
Lynne: That actually would be nice. That is in fact—
John: Oh, but that’s so fantastic. I love it so much. And how much do you feel like it’s on the organization to create that space for people to share versus on the individual?
Lynne: Completely. Completely. And yeah, I’ve got a variety of experience of working in different organizations. And I think it’s a lot about size. I think once organizations get really big, you don’t have visibility at the senior leadership in an authentic way. You don’t see them day to day. You know, you just see the vision that they wanna present of what they are and very cultivated and edited. You know, even if they say we want you to be authentic, we want you to have fun, we want you to do whatever, you don’t have a relationship direct with them and you can’t necessarily believe that. And you’ve got a layer of middle management that you’re not sure is entirely invested in that. And so, yeah, you might say that, but does my boss really think that, might immediate—
Lynne: So you’re on the side of caution. Whereas I’ve recently moved jobs into a much smaller organization and the senior leadership totally live it and it makes such a difference. I feel absolutely empowered to just be myself, and have fun, and make jokes, and have a good time at work. And that generates an incredible amount of value, I think.
John: Yeah. And it’s those human connections connecting on the ands and the funnys like you said and like the things like that. That’s where the connection happens. It doesn’t happen because we’re both good at Excel and work in the same department.
Lynne: No. It doesn’t.
John: Like that’s nothing, you know. And so, I love how you’ve created this place. You’re what’s your and come to life.
Lynne: There’s energy. There’s energy with that, you know.
John: Yeah. No, it’s awesome. It’s so cool and so encouraging to hear that I’m not just crazy making things up in a bubble. It’s like “No, no. In the real world, it matters to everybody.” Like just do it. Something that simple.
Lynne: And yeah, like I say, I’m not being all corporate, and cutthroat, and kind of shareholder value about it. Happy people are more productive. It just all works. It’s a virtuous circle, you know.
John: Exactly. I mean, care about your people and good things happen. Like everything good comes from that. And for some reason, we’ve typically built business upside down where care about our people is on accident last and if it happens at all. And it’s like no, no, no, gotta be a priority. And I mean, the one takeaway for everybody is performance reviews include did you do your and? I mean, it’s that simple. That’s it. The objective, the goals for this next 6 months also include something that you enjoy doing. And I love it. That’s so fantastic. This has been so, so great, Lynne, but I feel like it was rude of me to pepper you with so many questions at the beginning. So it’s only fair that I turn the tables and will make this the first episode of The Lynne Titley Podcast.
Lynne: Oh, I know. I know.
John: Right. There you go. So I’m all yours. You’re the host.
Lynne: Cool. All right. Okay. And what I’ve got for you is being a Brit, tea or coffee? I wanna know.
John: Oh, tea. I skipped the coffee train. Like I never got on coffee train. Like I never got it. And I do enjoy tea. So, tea for certain.
Lynne: I didn’t see that coming. I thought it was gonna be coffee. Fabulous. Okay.
John: I’ll surprise you.
Lynne: I’ve got a musical one. Air guitar or air drums?
John: Oh, wow. That’s a good one. That’s a good one ’cause I feel like I’m better at air guitar, but air drums is so fun.
I mean, it’s just like how many symbols do you have 14? You’re like what are you doing over here? I mean, it’s just like an octopus of like “Wow! Like I got symbols on top, symbols behind me. Like I got drums over here and like I got all kinds of—” Yeah. I mean, like I just imagine almost like a double drum kit where it’s just like stuff everywhere. So it’s just so much more fun to just like— Yeah, air drum, I guess.
Lynne: So you’re better at air guitar.
John: Yeah. Oh, Lynne, trust me, I practiced. Well, it’s more realistic. I think the air guitar—It just looks more realistic. But the drums, it’s just like so much. Yeah. You can go nuts with that ’cause, you know, you can’t see my drum kit. You don’t know. Yeah. I do have a bass drum up above me. What’s wrong with that, kids?
Lynne: We totally don’t know. We don’t know. Oh, you’re amazing at air drums, John. Amazing. Okay. This slightly longer. I can explain. You are getting a takeaway with friends, right? Like a Chinese, or a Curry, or something.
John: Oh, yeah.
Lynne: Share or not share?
John: No. No. No. You order what you wanted and I order what I wanted. And if you wanted what I got, you should order that. It’s that simple.
Lynne: You’re hard over on it.
John: Hard no. Hard no. Even if I’m eating with Hugh Jackman, still a hard no. Like hard no on that.
Lynne: Hugh Jackman ain’t getting your curry, dude.
John: Nope. None. Like not at all.
John: Yeah, absolutely. Well, this has been so much fun, Lynne. Thank you so much for being a part of What’s Your “And”?
Lynne: Me too. Loved it. Absolutely loved it. Thanks.
John: Awesome. And everybody listening, if you wanna see some pictures of Lynne jamming or connect with her on social media, be sure to go to whatsyourand.com. And while you’re on the page, please click that big button. Do the anonymous research survey about corporate culture. And don’t forget to check out the book. So thanks again for subscribing on Apple podcast or whatever app you use and for sharing this with your friends so they get the message that we’re all trying to spread, that who you are is so much more than what you do.